*Malick Sidibe, a Malian photographer who was the first African photographer to receive the Hasselblad Award, was born in Soloba, French Sudan.
Friday, July 29, 2016
Thursday, July 28, 2016
Mohamed Hamed Hassan Khan (Egyptian Arabic: محمد حامد حسن خان ; b. October 26, 1942, Cairo, Egypt – d. July 26, 2016, Cairo, Egypt) was an Egyptian-British film director, screenwriter, and actor. He was a well-known member of the "1980s generation" in Egyptian cinema, along with directors such as Khairy Beshara, Daoud Abdel Sayed, Atef El-Tayeb and Yousry Nasrallah. His main aesthetic credo, in line with directors from his generation, was a reinvigorated realism seeking direct documentation of everyday life in Cairo, beyond the walls of the studio.
Khan was born on October 26, 1942 in Cairo, Egypt. After completing his high school education in Egypt, he went on to study at the London School of Film Technique (now known as The London International Film School) between 1962 and 1963. While in London, Khan directed several 8mm films. In 1963, he returned to Egypt and worked in the script department of the General Egyptian Film Organization. Between 1964 and 1966, Khan worked as an assistant director in Lebanon. He then moved again in England, where he wrote his book "An Introduction to the Egyptian Cinema" published by Informatics in 1969. He edited another Book entitled “Outline of Czechoslovakian Cinema”, which was also published by Informatics in 1971.
His 1983 film The Street Player was entered into the 13th Moscow International Film Festival. According to a book issued by the Bibliotheca Alexandrina in December 2007, Khan's Ahlam Hind we Kamilia (1988) is one of the 100 landmarks in the history of the Egyptian cinema.
He had one daughter, Nadine, a film director, and one son, Hassan. He was married to Wessam Soliman, an Egyptian scenarist who wrote three of his movies: Banat Wust el-Balad (Downtown Girls), Fi-Sha'et Masr el-Guedida (In a Heliopolis Apartment), and Fatat el-Masna' (The Factory Girl).